Pouya Ehsaei

Pouya Ehsaei

Dots
from Pouya Ehsaei
Since there is only low frequency sounds at the start of the piece, using your laptop speakers, you would not hear anything at the start.
The visuals have been done in the Processing and sound in Max/Mso.
The initial ideas was to demonstrate the process of the construction and deconstruction based on works of Andy Goldsworthy and Steve Reich.
By Pouya Ehsaei

Line
http://vimeo.com/9478209
from Pouya Ehsaei
Since there is only low frequency sounds at the start of the piece, using your laptop speakers, you would not hear anything at the start.
The visuals have been done in the Processing and sound in Max/Msp.
The initial ideas was to demonstrate the process of the construction and deconstruction based on works of Andy Goldsworthy.
By Pouya Ehsaei

A 1. There #4 2 There #2
3 There #1
B 1 There #5 2 There #3
3 There #6/#7

LP/digital
UK
entr'acte (E172)

A recording of Ahamd Shamlou's reading
of hs poem Name-be-Peder ( Letter to Father )
is used in There #4 and There #4, Thanks to
Masound Azizpour, Babak Ehsaei, Tara Fatehi,
Azar Mah Ghazidavani, Sharareh Hasawi,
and Tony Myatt, Produced in 2010.
Mastered by Jacques Beloeil
Published by Entr'acte, 2014
ebtracte.co.uk
Edition of 200 copies
ENTR'ACTE 2014